翻訳と辞書 Words near each other ・ Emiliano Albín ・ Emiliano Alfaro ・ Emiliano Amor ・ Emiliano Armenteros ・ Emiliano Astorga ・ Emiliano Bonazzoli ・ Emiliano Bonfigli ・ Emiliano Brembilla ・ Emiliano Bucci ・ Emiliano Buendía ・ Emiliano Caffera ・ Emiliano Camargo ・ Emiliano Chamorro Vargas ・ Emiliano Cotelo ・ Emiliano Dei ・ Emiliano Di Cavalcanti ・ Emiliano Dudar ・ Emiliano Dumestre ・ Emiliano Díaz ・ Emiliano Díez ・ Emiliano Elias Zapata ・ Emiliano Ellacopulos ・ Emiliano Esono Michá ・ Emiliano Figueroa ・ Emiliano Fruto ・ Emiliano Fusco ・ Emiliano Garré ・ Emiliano Giron ・ Emiliano González ・ Emiliano González Arqués Dictionary Lists mini英和辞書 mini和英辞書 Webster 1913 Latin-English FOLDOC Wikipedia English ウィキペディア

翻訳と辞書　辞書検索 [ 開発暫定版 ] スポンサード リンク Emiliano Di Cavalcanti ： ウィキペディア英語版 Emiliano Di Cavalcanti Emiliano Augusto Cavalcanti de Albuquerque Melo (September 6, 1897 – October 26, 1976), known as Di Cavalcanti, was a Brazilian painter who sought to produce a form of Brazilian art free of any noticeable European influences. His wife was the painter Noêmia Mourão, who would be an inspiration in his works in the later 1930s. == Early years (1897-1922) == Born in Rio de Janeiro in 1897, Di Cavalcanti was influenced by the intellectuals he met at his uncle’s house. This would provide the basis for a lifelong politically driven artistic career, which would start by the production of a drawing published by the magazine fon-fon. He engaged in a pursuit for a Law degree in São Paulo but did not manage to complete this pursuit. Di Cavalcanti moved to São Paulo in 1917. At this time he held his first exhibition at the Editora do Livro (o livro bookstore) in São Paulo. This first exhibition would only include caricatures with very viable symbolist influences to be found presented in the works. In 1918, Di Cavalcanti would become part of a group of intellectuals and artists in São Paulo which would contain artist like Oswald de Andrade, Mário de Andrade, Guilherme de Almeida, etc. This group would be the direct cause for bringing the Semana de Arte (week of modern art) in life in 1922 ''(see the cover page on the right of this page)''. This movement along with the Group of Five wished to revive the artistic environment in São Paulo at the time and had as its main interest to free Brazilian art from the European influences found within it. Nevertheless, the works Di Cavalcanti displayed at the Semana revealed varying Symbolist, Expressionist, and Impressionist influences. This can thus be seen as a continuance of European stylistic influences and this would not change until Di Cavalcanti returned from Paris in 1925 to live in Rio de Janeiro once again. 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Emiliano Di Cavalcanti」の詳細全文を読む スポンサード リンク 翻訳と辞書 : 翻訳のためのインターネットリソース Copyright(C) kotoba.ne.jp 1997-2016. All Rights Reserved.